BASE MEMBERSHIP 30-DAY FREE TRIAL
Live Panel: Host Your Own Art Show
Thursday, May 15th
5-6pm MDT
7-8pm EDT
12pm–1am BST (Friday)
9am-10am AEST (Friday)
Mentors: Julie deBoer & Sharon Lynn Williams
$19.00
Out of stock
Host Your Own Art Show!
How to Curate, Organize, and Showcase Like a Pro
Thinking about hosting your own exhibition but unsure where to start?
Join Mastrius Mentors Julie deBoer & Sharon Lynn Williams as they share their firsthand experiences, lessons learned, and strategies for planning and successfully executing an art show from the ground up.
Whether you're planning a solo show or a group exhibit, this panel will offer clear guidance on how to organize, plan, and curate an art show that represents your vision, connects with audiences, and runs smoothly from start to finish.
What we’ll explore:
- How to conceptualize, plan, and organize your exhibition from concept to opening night
- Tips for choosing venues, negotiating terms, and managing logistics
- Smart strategies for promoting your show and reaching your audience
- Common challenges artists face — and how to navigate them with confidence
Don’t miss this opportunity to get real-world advice and guidance from the masters! Whether you're preparing for your first show or looking to refine your approach, this conversation will leave you with the tools, inspiration, and practical advice to take the next step with confidence
As always, Mastrius events are LIVE & INTERACTIVE!
🎟 Tickets ONLY $19 | FREE for Mastrius Members
🎙️ Event recording is available for Mastrius Members only.
Get a FREE MEMBERSHIP HERE with the Base Membership Free Trial. (https://www.mastrius.com/base-artist-membership/)
Meet Julie deBoer
Acrylic Paint
I paint in acrylic, in thin glazes and veils, which add interest, vibrancy and depth to my work. If you look closely, you’ll see many layers and hints of magenta – my underpainting color of choice – peaking through around every curve. It’s eye-candy for the brain!
I was self-taught for 7 years before I realized, I don’t know, what I don’t know, and then began my pursuit of learning, growth and mastery. I have now benefited immensely from the mentorship, friendship and instruction of master artists such as: David Langevin, Mark Heine, Heather Pant, and Mitchell Albala, to name a few.
What I have learned from other artists has not only changed the quality of my work, but also the trajectory of my career and my enjoyment in creating. We grow faster and farther when we journey together. It’s a fact.
I paint and work from my home studio in Bearspaw, Alberta, Canada, where beneath it all, I am a happily exhausted mother of three, married to my best friend, business partner, and husband of 25 years.
Meet Sharon Lynn Williams
Oil | Acrylic | Watercolour | Mixed Media | Encaustic
I have been passionately painting and teaching in diverse media and subjects for over 35 years, and have earned signature status in the Federation of Canadian Artists (AFCA) and the International Plein Air Painters (IPAP).
My current work is based in my love for the landscape, filtered through my extensive background of color and design, to express the joy and freedom I find in the subject. After a 20 year studio career, primarily in abstraction, 8 years ago I began to paint ‘en plein air’ (outside in front of the scene) in order to truly understand the way light plays on the landscape and to teach myself to paint in oils. I was able to really absorb myself in it, not only the visual input but also through my other senses. The feel of the breeze, the smell of the earth and foliage, and the sounds of nature were also able to be captured within my work, and that made all the difference.
I published a book called “En Plein Air -One Artist’s View” to show how I interpret what I am seeing.
After that time, the experience on the land was in my soul, and I felt the freedom to begin to express myself in less representational ways. I began to seek a more personal and contemporary expression, often moving into working from my imagination in mixed media -moving back to my roots in abstraction. That experimentation began in the studio using acrylic paint for its quick-drying and ease of radical shifts in direction. The new aesthetic that I have developed focuses on a limited amount of very interesting shapes; strong decisive brush marks; inventive, pushed, and gradated color; flattening of the picture plane; pattern, and strong value contrasts. As my mantra is “What would happen if…”, I am always exploring new ways to make my work and always growing as an artist. The excitement of working from chaos to order is invigorating and creates a dialogue between the work and the artist that I love. My interpretation of the beauty around me, as well as my vivid imagination make for an eclectic and varied body of work!