BASE MEMBERSHIP 30-DAY FREE TRIAL
Live Panel: Price Your Art RIGHT
Thursday, November 6th
5-6pm MST
7-8pm EST
12am-1am GMT (Friday)
11am-12pm AEDT (Friday)
Mentors: Cindy Revell and Robert J. Simone
$19.00
Free For Mastrius Members.
TIPS from the Masters
Figuring out how to price your work can be one of the most challenging and emotional parts of being an artist.
There’s no universal pricing formula, so the right guidance is necessary to set prices that reflect your skill, experience, and the value of your art, that’s also appropriate for your market.
In this panel, mentors Robert J Simone and Cindy Revell will break down key strategies to help you price your work with confidence, so you can sell without second-guessing and grow your career sustainably.
You’ll get a clear understanding of how to approach pricing in a way that’s fair, flexible, and future-focused.
You’ll learn how to:
- Assess your skill and experience, key factors when setting prices.
- Adjust your pricing as your artistic career develops.
- Plan for discounts, knowing when they help and when they don’t.
- Stay aware of market and economy trends that affect art sales.
- Communicate your pricing details clearly, including extras like framing or shipping.
Knowing how to price your art isn’t just about numbers, it’s about knowing your worth and making smart, informed choices.
Let Robert and Cindy guide you toward a pricing strategy that supports your creative goals and gives your work the value it deserves.
Mastrius events are always LIVE & INTERACTIVE so you can get your questions answered and see real progress in your work!
🎟 Tickets ONLY $19 | FREE for Mastrius Members
🎙️ Event recording is available for Mastrius Members only.
👉 Get a FREE MEMBERSHIP HERE with the Base Membership Free Trial
Meet Cindy Revell
Oil
My energetic paintings include inquisitive birds and flowers as a common element in a menagerie of uncommonly coloured creatures. These characters come to life in gardens, interiors and still lifes where they fuse in an exuberant and vibrantly colourful mix that implies ‘what if’ and ‘anything is possible’. My work began as realism but morphed into the whimsical paintings that I create now.
The Dutch artists and numerous old masters have long fascinated me – the light, the compositions! The inspired informality and spontaneity of primitivism and folk art while the pattern and design of medieval, Asian and eastern art all remind me of the powerful way that line, colour and shape can convey so much.
I received my Environmental Graphic Design diploma in Edmonton, AB in 1987, ‘the olden days’. I took some illustration courses and went on to explore fine art through numerous courses and workshops in Canada and the US.
Some of my clients inlcude Disney, L.A. Times, Washington Post, Harvard Business Review, Better Homes and Gardens, Cornell University, Penguin Putnam, and Scholastic.
Meet Robert Simone
Oil
I’d like to share a bit of my painting journey in hopes that it will both encourage and inspire others. This is especially for all the other late bloomers and boomers. Not that I’m some great artist. Truly, I’m just a kid in his 60’s with some brushes and canvas who loves to paint!
There’s been plenty of ups and downs, bumps, bruises and numerous hiccups along the way. As the Tom Petty song says, “Some doors are opened. Some roads are blocked.” Sometimes I’ve been my own worst enemy. Sometimes the ball didn’t bounce my way. Other times it did. Regardless of circumstances I kept painting because I believe that’s what I’m supposed to be doing. Surely some good would come of it.
I took workshops with artists like Scott L. Christensen, Stapleton Kearns and others. My thirst for basic principles was quenched. I painted, studied and entered local plein airs. I did well in some. Not so well in others. But I kept painting.
Eventually I got into national level plein airs. And discovered that one of the best parts of those events was the camaraderie of other artists. There are so many talented artists out there. And so many whose work I admire. Too many of them to mention have become my de facto mentors. I painted alongside the best. I looked over their shoulders and asked questions.
One of my paintings received the Grand Prize at Plein Air Easton 2024. I’ve received awards at other national shows. And made Signature Member in some prestigious organizations. My paintings have landed in some surprising collections. I’ve taught many workshops throughout the eastern US. And I’ve been blessed to mentor other artists.