LIVE ONLINE DEMO
Snowy Landscapes
with Deborah Tilby, Master Artist & Mentor
Explore the art of painting winter’s beauty—capturing
light, shadows, and the subtle colors of snow.
What you’ll learn:
How to truly see form & color in shadows—and how to paint them
Mixing subtle neutrals and rich colors for winter
landscapes
Experimenting with painting tools that might be new to you
Materials and techniques to bring your snowy scenes to life
Demos will be in oil, but artists working in acrylic are welcome to join and adapt the lessons!
Audience: Fine Art Painters
Mediums: Acrylic, Oil
Stage: Aspiring, Emerging
Session Date & Time:
Saturday, March 15, 2025
10:00 am – 2:00 pm MT
Includes a 10-minute break
$145.00
Out of stock
Price in USD
Course Description
Snow is always fun to paint! Yes, it can be challenging, but it also offers freedom, room for expression, and a chance to play with the paint.
Snow-covered hills, winter trees and grasses, and beautiful, shifting shadows—there’s so much to explore!
🎥 COURSE RECORDINGS available for 1-MONTH after the course ends!
High School, University, and College students get 20% OFF. See FAQs at the bottom of page.
Supply List
Coming soon
Instructor Bio
Deborah Tilby is a Canadian painter currently living in Victoria BC. She is recognized as one of the top oil painters in the country and is a senior signature member of the Federation of Canadian Artists and has been awarded the status of Oil Painters of America Master. Her work has won many international awards, has appeared in Fine Art Connoisseur, International Artist, Southwest Art, Arabella and Artist magazines and is in collections all over North America and Europe.
“Painting began for me with my first watercolour at age eighteen. I love watercolour and it held my interest for many years, before I began working with oils. I am Canadian but for fourteen years, England was home and European street scenes and landscapes were my subject. A move to the west coast of British Columbia turned my attention toward the beaches, boats, waves, and marinas of coastal living. Not entirely committed to trading Europe for Canada, I have travelled between the two, keeping my perspective fresh and allowing my work to straddle both continents. I now stick to oils most of the time, only occasionally reaching for my watercolours. I still love watercolour but am drawn to the flexibility, freedom, and richness that oils offer.
I became a painter by way of being an observer – I have always noticed light and shadow, shapes, texture, composition and colour, and endeavouring to interpret my observations through painting has been a lifelong passion. That people choose my work to hang in witness of their lives is a bonus, both wonderful and humbling. “



